A dining room in an old Lisbon flat, oak table and rush chairs, tiled roofs through an open window

Rooms that age well

Architecture and interiors, made slowly in Lisbon

In Lisbon and the Alentejo, we repair old rooms and draw new ones, with lime, timber and the light already there

A studio of six, small on purpose. We take few projects, stay on site, and leave rooms that are easy to live in and easy to mend.

Grey-green folding shutters open in a deep limewashed window reveal, a green hillside beyond

What we do

    A long empty room seen down its length, pine boards running to open doors at the far end

    New houses

    Small houses drawn for one plot and one family, built in stone, lime and timber.

    A steel trowel and a lime-crusted hawk on a pine trestle beside a freshly plastered wall

    Restoration

    Old flats and farmhouses repaired with the trades and materials they were built with.

    Kitchen in ochre limewash with one long shelf and a stone worktop

    Interiors

    Kitchens, baths and the rooms between, planned around how you actually live.

    Upper hall lined with unpainted oak cupboards

    Joinery

    Cupboards, shelves and doors drawn by us and made in oak by two workshops near Lisbon.

    A bucket of lime putty with a wide brush across it on a dust sheet

    Lime finishes

    Limewash and lime plaster, mixed on site, for walls that breathe and wear well.

Two trades, one slow way of building

Marta draws, Rui builds. They met on a farmhouse roof in 2011 and have kept the studio small ever since, so that one of them is always on site.

Marta Reis, architect, at a long oak drawing table in the studio, pencil over a hand-drawn plan

Marta Reis

Architect

Rui Vaz, master builder, holding a trowel and hawk in a townhouse under restoration

Rui Vaz

Master builder

From the first survey to the last coat of limewash, the same two people answer your calls. We draw, cost and build with a small circle of trades we have known for years.

Old terracotta floor tiles crossed by a stripe of late sun

From lime to light

We start with what a room already has: its walls, its floor, its window and the hours of sun it gets.

The walls

Lime plaster and limewash let old stone dry out and give new walls a soft, deep finish that mends easily.

The light

We draw every room around its windows, then choose finishes by watching how they look at four in the afternoon.

Work in progress

Two projects are on site this year. We post a short note from each one every few weeks in the journal.

A Lisbon townhouse room under restoration: half-plastered lime walls, lifted pine boards and timber props under a beam

Restoration, Alfama

Casa da Calçada

A 1790 townhouse, five floors of lime and pine, repaired one floor at a time.

New house, Alentejo

Monte do Freixo

A low house of rammed earth and cork, set beside an old olive grove.

From the site

Lisbon & Alentejo

  • Empty upper landing with late sun falling across the plaster wall and pine floor
  • Limestone counter with a deep sink under a window on a rainy day
  • Narrow stairwell seen from above, shutters half open at the landing window
  • Undyed linen curtain glowing with sun at a studio window
  • New oak floorboards in an empty limewashed room, a doorway on the right
  • Shadow of a window frame on a plaster wall in warm light
  • Window seat with a cushion on a half landing
  • Small kitchen seen from the hall door

It starts with a visit

Shall we walk through your rooms together?

Tell us about the place, the people who live there and what is not working. We reply within three working days.

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